It's all about the reader's emotional response to the page.

Writing for Emotional Impact:

Advanced dramatic techniques to attract, engage, and fascinate the reader from beginning to end


1. Introduction: The emotion-delivery business

  • Why another screenwriting book?
  • Thinking about emotion
  • Hollywood is in the emotion-delivery business
  • Craft means evoking emotion
  • Your double task as a writer
  • The three types of storytelling emotions
  • Character emotions vs. Reader emotions
  • What this book offers
  • Writer beware

2. The reader: Your only audience

  • We are your first audience
  • We're the gatekeepers
  • We're intelligent and plugged in
  • We're poorly paid, overwWorked, and frustrated
  • We're on your side
  • What we do
  • Why we reject scripts
  • What want in a reading experience

3. Concept: Unique attraction

  • The basics: What you need to know
    • In hollywood, the idea is king
    • Concept sells
  • The craft: Energizing your idea
    • Ideal emotional responses to a concept
    • What makes an idea appealing
    • A note about "high concepts"
    • Don't write what you know
    • 12 Ways to increase your idea's appeal
    • Creating an appealing title
    • Choosing a popular genre
  • On the page: Concept in action

4. Theme: Universal meaning

  • The basics: What you need to know
    • Why theme matters
    • Persuading and entertaining, not preaching
  • The craft: Revealing theme with subtlety
    • Universal themes
    • Finding your vision
    • Nine theme techniques to show, not tell
  • On the page: Theme in action

5. Character: Captivating empathy

  • The basics: What you need to know
    • The five key questions for building a character
  • The craft: Connecting with characters
    • Revealing character and transformation
    • Character exposition (show, don't tell)
    • Six ways to reveal character on the page
    • Connecting with character
    • Holding the reader's attention
    • Three ways to connect wWith character
    • Techniques for instant character appeal and empathy
  • On the page: Character in action

6. Story: Rising tension

  • The basics: What you need to know
    • What's a dramatic story
    • Story vs. Plot
  • The craft: Engaging the reader from beginning to end
    • Interest/fascination/insight/awe
    • Curiosity/wonder/intrigue
    • Anticipation/hope/worry/fear
    • Suspense/tension/anxiety/concern/doubt
    • Surprise/dismay/amusement
    • Thrill/joy/laughter/sadness/triumph
    • Empathy/compassion/admiration/contempt
    • Melodrama and sentimentality
  • On the page: Story in action

7. Structure: Engaging design

  • The basics: What you need to know
  • The craft: The emotional elements of each act
    • Act I — Attraction
    • Act II — Tension and anticipation
    • Act III — Satisfaction
  • On the page: Structure in action

8. Scenes: Mesmerizing moments

  • The basics: What you need to know
    • Exposition scenes
    • Spectacle scenes
    • Dramatic scenes
    • A scene is a mini-story
    • Key elements of a dramatic scene
  • The craft: Writing great scenes
    • Techniques to craft fascinating scenes
    • The emotional palette
    • Active dialogue
  • On the page: Scene in action

9. Description: Riveting style

  • The basics: What you need to know
    • Common amateur mistakes
    • The basics of screenwriting narrative
  • The craft: Writing that moves
    • Commanding attention
    • Creating motion
    • Generating a riveting reading experience
    • Describing characters
    • Describing locations
    • Bonus professional tips
  • On the page: Description in action

10. Dialogue: Vivid voices

  • The basics: What you need to know
    • Characteristics of great dialogue
    • Avoiding the most common dialogue flaws
  • The craft: Writing vivid dialogue
    • Techniques for emotional impact
    • Techniques for individual dialogue
    • Techniques for subtle exposition
    • Techniques for subtext
    • When on-the-nose dialogue is acceptable
  • It takes a lot of rewriting
  • Test your dialogue
  • Study the masters of dialogue

11. Final thoughts: Painting on the page

  • Rewriting tips
  • Learn more by reading scripts
  • You're a painter on the page

Buy the book